Showing posts with label music criticism. Show all posts
Showing posts with label music criticism. Show all posts

Wednesday, May 19, 2010

Quarter Life Crisis Countdown: 25 Favorite Music Videos


I'm posting a list of 25 items each day leading up to my birthday at the end of the month to celebrate 25 years of gathered wisdom and useless information.

Here is a list of some of my favorite music videos of all time. I'll probably leave something out! One thing I can guarantee you is that there is no Nirvana in here.

1. Talking Heads—"Once in a Lifetime"
This may be the first video I ever saw.


2. Simian Mobile Disco—"Hustler"
This video reminds me of most Tuesday nights.


3. Peter Gabriel — "Sledge Hammer"
This is an amazing musical collage from one of the '80s great eccentrics.


4. Bat for Lashes — "What's a Girl to Do?"
I will forever be in awe of BfL leading lady Natasha Khan's combined beauty and mystery, as demonstrated perfectly in this video for one of her early singles.


5. Michael Jackson— "Black or White"
I could really do without the corny Culkin-infused intro on this classic video, but the last 30 seconds are fantastic (and were probably twice as impressive when the video first came out).


6. Yelle —"A Cause de Garcons (TEPR Remix)"
In my final year of college (which was not so long ago), I must have watched this video a million times. The remix is catchy, the moves ("techtonique") were frenetic — and impossible to replicate comfortably.


7. Aphex Twin—"Windowlicker"
This video for crafty experimental glitch producer Aphex Twin is one of the weirdest music videos you'll ever see. It's grotesque and danceable; street and arthouse. Not for the kiddies...


8. Michael Jackson — "Don't Stop 'til You Get Enough"
I doubt anyone will hate me for including two from the King of Pop. The video matches the mood of the song perfectly: Jackson disco thrusting around a green-screen fantasy of juke-box rainbows and ambiguously lit marbles. The video makes me feel... well, it just makes me feel so—wwoooooOOOOH!


9. Tears for Fears— "Head over Heels"
Is it just me or could the librarian in this classic '80s vid pass for the next Vice "it" girl?


10. Digitalism—"Pogo"
This is like when your apartment dance party really starts to heat up and someone decides to take it to the next level by flicking the light switch on and off.

Digitalism - Pogo

11. MGMT—"Time to Pretend"
This fresh eye candy from bright-eyed electro-pop duo MGMT revived my faith in the music video during what I perceived to be a dry spell.


12. Air — "Sexy Boy"
I love the integrated cutesy cartoons in this one. The video is subtle; a sweet (as in precious) contrast to the grungy sensuality of the song itself.


13. Air — "Kelly Watch the Stars"
Air has taken a simple concept (a ping-pong match) and made it psychedelic and still managed to give it a story. Beautiful cinematography.


14. Beck—"Loser"
Beck likes to have fun with videos, and he's created some good ones during the breadth of his career. Still, I had to come back to this slacker-cool gem of a video that jump-started his career.


15. U2— "Mysterious Ways"
It's a miracle that this video didn't make me nauseated trying to dance along to it as a three year old.


16. Benoit Pioulard—"Idyll"
One of the shorter ones I've encountered, this video pairs retro song craft with matching vintage clips.


17. Blind Melon—"No Rain"
Who didn't love that pathetic bumblebee girl back in the '90s?


18. Bjork—"All is Full of Love"
Bjork provides a sexier vision of the future here. It's a good example of when a beautiful song meets an interesting visual concept and it hits the spot.


19. Chromeo—"Needy Girl"
I thank my sister for introducing me to Chromeo last decade. The white-dominant color scheme is a path not often chosen in music videos.

20. Joe Jackson—"Steppin' Out"
This song will always remind me of my dad. It's one of his favorite songs, and he always talks about how ugly Joe Jackson is.


21. Massive Attack—"Massive Attack"
I'm not really sure why I like this one. I can't tell if it's creepy or sweet.


22. M.I.A. —"Galang"
OMG it took me about five views to process the intense level of coolness exhibited in this M.I.A. vid. Those moves! Those outfits! The spray-painted warfare! I didn't know what to do with this information. I just... wanted... to be her.


23. Lady Gaga— "Poker Face"
Ya feelin' me?


24. Cooler Kids—"Punk Debutante"
As a 13-year-old, this song showed me how to be both punky and cute at the same time. The lead singer is not a hag, either.


25. Daft Punk— "Around the World"
This video couldn't have come at a better time. My eardrums were being flooded with the likes of Backstreet Boys and Britney Spears on the radio and at school dances, so it was some minor relief to stumble upon this catchy, stupidly simple electronic song with matching quirky video (directed by M. Gondry).



Sunday, December 07, 2008

LA, M83 and YTC


So, www.youtellconcerts.com is this pretty neat blog run by a couple of LA kids that features fans talking about their favorite bands before or after they see them live. Since one of my favorite bands (electro-shoegaze Frenchies M83) was playing in in LA at the Henry Fonda Theater while I was home in San Diego for Thanksgiving break, I just had to make the trip up to see them. Leaving the show, these guys approached me for my opinion (in addition to a number of other concert-goers, including British DJ Adam Freeland). Check it out:



Maybe I'll do something similar in San Francisco? Everyone knows we have better music here... ; )

Wednesday, September 24, 2008

Performer Magazine


I have been working for Performer Magazine, writing profiles and album reviews, for over a year now! I originally applied for their internship and ended up sticking around as a writer instead. Here is the "300-word review of a band I like" that got me into the job:


The Go Find – Stars on the Wall
Review by Lulu McAllister

Belgian Indie-pop group The Go Find takes a softer turn in their recent Stars on the Wall. Haunting melodies layered over understated electronics and strumming guitar riffs on the second album seem to delve deeper into the lullaby mentality of the group’s 2005 release, Miami.

Stars on the Wall varies slightly from song to song, contributing country guitar solos in some areas and nursery-ready electronic accents in others but remains generally down-tempo from start to finish. The uncomplicated, melancholy vocals of the songs “Beautiful Night” and “New Year” sound like something Ben Gibbard might have produced in the time between his Postal Service rendezvous and latest offerings with Death Cab for Cutie. “Beautiful Night” remains streamlined, building to a rich harmonic vocal breakdown toward the end of the song. “New Year” ripens when similar background vocals come in like a cannon, weaving together the song’s simple message (“This is the new year I’ve been longing for”). “We Don’t Wanna” moves completely into the acoustic end of things while also throwing in some drums where they were previously omitted. The single, “Dictionary,” maintains simple elements of the first few song but opens up when the drum track doubles up over the catchy repeated main theme. “Ice Cold Ice” builds with a tribal Bjork-esque beat but never really takes off. “OK Kid,” the last track, boils the previous songs down to a string of discreet instrumentals that seem to capture the essence of the album as a whole.

The Go Find have honed their downtempo sound in Stars on the Wall, seeming hesitant to break out of this calmer mindset. (Morr Music)

www.thegofind.com


A year later, I still struggle with interesting substitutes for words like "upbeat" or "beautiful" or "moody" and it's hard to be technically specific when I'm not much of a musician myself (excluding, of course, painful piano lessons in the early years and that awkward 7th grade experiment called the euphonium). 

Furthermore, finding that delicate balance between hardcore musicology and abstract description is always a challenge. Is it going too far to inform the reader that a musician is singing in the hexatonic scale or is it better to simply state that the vocals are bluesy? Both would be accurate.

Either way, I keep ploughing my way through various music -- be it jazz, techno, hip-hop or any other genre out of left field. To see some of my other reviews from the past year, click here.


Sunday, April 06, 2008

Music Criticism

Just when I'm beginning to think I understand music criticism...

Have a listen to this story about musician Simon Fluegel. This NPR story blows my mind -- not necessarily in a good way. Did this man really use the word "flatulence" in his review?